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<channel>
	<title>Video Camera Lights</title>
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	<link>http://videocameralight.riteprice.net</link>
	<description>Video Camera Lights reveiw</description>
	<lastBuildDate>Sat, 06 Mar 2010 06:42:34 +0000</lastBuildDate>
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			<item>
		<title>Making a Great Video</title>
		<link>http://videocameralight.riteprice.net/making-a-great-video-2/</link>
		<comments>http://videocameralight.riteprice.net/making-a-great-video-2/#comments</comments>
		<pubDate>Sat, 06 Mar 2010 06:42:34 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[make great video]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[footage]]></category>
		<category><![CDATA[good]]></category>
		<category><![CDATA[ingenuity]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Picture]]></category>
		<category><![CDATA[reason]]></category>
		<category><![CDATA[taste]]></category>
		<category><![CDATA[tip]]></category>
		<category><![CDATA[Zooming]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/making-a-great-video-2/</guid>
		<description><![CDATA[Video has enhanced our lives, it helps us keep in touch with family and friends. It helps to protect us and generally speaking it brings a lot of joy to a lot of people.&#160; Making a great video to share or to even use for marketing purposes really is not the difficult. A natural eye [...]]]></description>
			<content:encoded><![CDATA[<p>Video has enhanced our lives, it helps us keep in touch with family and friends. It helps to protect us and generally speaking it brings a lot of joy to a lot of people.&nbsp; Making a great video to share or to even use for marketing purposes really is not the difficult. A natural eye helps but is not necessary. Take a look a this tips for making a great video and you will be on your way!</p>
<p>&nbsp; It is always fun to grab the video camera and start rolling to catch some unexpected antics, but what if you want something a little more serious, like maybe a wedding or an anniversary? Grabbing the video camera and just pointing aimlessly is fine, but it would be extra fine to really have some rhyme and reason to the movie. You can accomplish that rhyme and reason by giving it some real thought. Picture what you want the video to turn out looking like. What do you want to capture? Where can you stand to get the best footage? These ideas are just jumping off points that you can expand on to get the best possible movie results that you can.</p>
<p>&nbsp; Consider Audio. This is an important tip. You have to remember that if you are too far away the audio is going to come across as a garbled mess that no one will understand. You need to film from a close enough range so that the audio will clearly be understood.</p>
<p>&nbsp; Film More- You should film more than you think you will need, because you can edit out whatever it is that you do not want, but once the event is over you cannot add anything to the film. So spend a bit more time filming than you think you need to, you will be glad you did.</p>
<p>&nbsp; Using Features- using features on your camera is always fun, but don&#8217;t overdue it. Zooming in is fine to get someone&#8217;s reaction but staying zoomed in through the whole movie is a bit redundant.</p>
<p>&nbsp; Remember Your Audience- as you are filming your video try to keep in mind the audience that will be viewing your movie. Some things might seem funny if you capture it on film, but some members of your audience might feel insulted.</p>
<p>&nbsp; Edit Liberally &#8211; add music and voice over&#8217;s as you see fit. Crop out the bad and hang onto the good. Keep in mind that this movie might be around for a long time so use good taste and have fun with it.</p>
<p>Making a great movie only requires a little forethought and ingenuity you can easily accomplish making a movie that you are proud to show everyone just by simply giving it some thought!</p>
]]></content:encoded>
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		<slash:comments>34</slash:comments>
		</item>
		<item>
		<title>Recommended Web Sites</title>
		<link>http://videocameralight.riteprice.net/recommended-web-sites/</link>
		<comments>http://videocameralight.riteprice.net/recommended-web-sites/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 04:59:33 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[Recommended Web Sites]]></category>
		<category><![CDATA[blackberry]]></category>
		<category><![CDATA[camera light]]></category>
		<category><![CDATA[digital cameras]]></category>
		<category><![CDATA[dv video camera]]></category>
		<category><![CDATA[few minutes]]></category>
		<category><![CDATA[flashlight]]></category>
		<category><![CDATA[illumination]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[point and shoot digital camera]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/?p=254</guid>
		<description><![CDATA[

Camcorder lighting: On-Camera Lights &#8211; How to make the most of an on-board lamp. Many camcorders come equipped with a built-in light. Though it has more drawbacks than advantages, you can at least use it to throw some extra illumination at your subjects. 


Free FlashOn App Turns Your BlackBerry Into A Flashlight By Using &#8230; [...]]]></description>
			<content:encoded><![CDATA[<ul>
<li>
<p><a href="http://www.videomaker.com/article/9418/" target="_blank">Camcorder lighting: On-Camera Lights</a> &#8211; How to make the most of an on-board lamp. Many camcorders come equipped with a built-in light. Though it has more drawbacks than advantages, you can at least use it to throw some extra illumination at your subjects. </p>
</li>
<li>
<p><a href="http://www.blacklightthemes.com/f192/free-flashon-app-turns-your-blackberry-into-flashlight-using-camera-light-s-17875/" target="_blank">Free FlashOn App Turns Your BlackBerry Into A Flashlight By Using &#8230;</a> &#8211; ShaoSoft has released a new BlackBerry application called FlashOn that essentially turns your device into a flashlight by using the built in video camera light, front LED and the screen. With FlashOn you can set the color of the LED or &#8230;</p>
</li>
<li>
<p><a href="http://prodmod.com/2007/12/15/make-your-own-led-camera-light-for-only-2-lasts-longer-than-camerabright/" target="_blank">Make your own LED camera light for only $2 &#8211; lasts longer than &#8230;</a> &#8211; ProdMod DIY camera Light Ever since digital cameras took decent video I stopped carrying around my DV video camera and instead use my point and shoot digital camera to take a few minutes of MOV or MPG video here and there. &#8230;</p>
</li>
</ul>
]]></content:encoded>
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		<slash:comments>127</slash:comments>
		</item>
		<item>
		<title>Making a Great Video</title>
		<link>http://videocameralight.riteprice.net/making-a-great-video/</link>
		<comments>http://videocameralight.riteprice.net/making-a-great-video/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 14:49:29 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[video camera lights]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[footage]]></category>
		<category><![CDATA[good]]></category>
		<category><![CDATA[ingenuity]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Picture]]></category>
		<category><![CDATA[reason]]></category>
		<category><![CDATA[taste]]></category>
		<category><![CDATA[tip]]></category>
		<category><![CDATA[Zooming]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/?p=251</guid>
		<description><![CDATA[Video has enhanced our lives, it helps us keep in touch with family and friends. It helps to protect us and generally speaking it brings a lot of joy to a lot of people.  Making a great video to share or to even use for marketing purposes really is not the difficult. A natural eye [...]]]></description>
			<content:encoded><![CDATA[<p>Video has enhanced our lives, it helps us keep in touch with family and friends. It helps to protect us and generally speaking it brings a lot of joy to a lot of people.  Making a great video to share or to even use for marketing purposes really is not the difficult. A natural eye helps but is not necessary. Take a look a this tips for making a great video and you will be on your way!</p>
<p>  It is always fun to grab the video camera and start rolling to catch some unexpected antics, but what if you want something a little more serious, like maybe a wedding or an anniversary? Grabbing the video camera and just pointing aimlessly is fine, but it would be extra fine to really have some rhyme and reason to the movie. You can accomplish that rhyme and reason by giving it some real thought. Picture what you want the video to turn out looking like. What do you want to capture? Where can you stand to get the best footage? These ideas are just jumping off points that you can expand on to get the best possible movie results that you can.</p>
<p>  Consider Audio. This is an important tip. You have to remember that if you are too far away the audio is going to come across as a garbled mess that no one will understand. You need to film from a close enough range so that the audio will clearly be understood.</p>
<p>  Film More- You should film more than you think you will need, because you can edit out whatever it is that you do not want, but once the event is over you cannot add anything to the film. So spend a bit more time filming than you think you need to, you will be glad you did.</p>
<p>  Using Features- using features on your camera is always fun, but don’t overdue it. Zooming in is fine to get someone’s reaction but staying zoomed in through the whole movie is a bit redundant.</p>
<p>  Remember Your Audience- as you are filming your video try to keep in mind the audience that will be viewing your movie. Some things might seem funny if you capture it on film, but some members of your audience might feel insulted.</p>
<p>  Edit Liberally &#8211; add music and voice over’s as you see fit. Crop out the bad and hang onto the good. Keep in mind that this movie might be around for a long time so use good taste and have fun with it.</p>
<p>Making a great movie only requires a little forethought and ingenuity you can easily accomplish making a movie that you are proud to show everyone just by simply giving it some thought!</p>
]]></content:encoded>
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		<slash:comments>152</slash:comments>
		</item>
		<item>
		<title>Digital Photos You&#8217;ve Always Wanted</title>
		<link>http://videocameralight.riteprice.net/245/</link>
		<comments>http://videocameralight.riteprice.net/245/#comments</comments>
		<pubDate>Sun, 21 Feb 2010 06:33:38 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[Digital Photos]]></category>
		<category><![CDATA[breathtaking images]]></category>
		<category><![CDATA[digital camera]]></category>
		<category><![CDATA[direct lighting]]></category>
		<category><![CDATA[light situations]]></category>
		<category><![CDATA[lighting source]]></category>
		<category><![CDATA[megapixels]]></category>
		<category><![CDATA[professional photographer]]></category>
		<category><![CDATA[proper lighting]]></category>
		<category><![CDATA[video equipment]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/245/</guid>
		<description><![CDATA[

&#8220;At Last! How To Take The Digital Photos You&#8217;ve Always Wanted, And Finally Have Them Turn Out Like A Professional Photographer Has Taken Them&#8230;&#8230;
(I never did a course in my life, and I&#8217;m now a professional photographer. How did I do it? Keep reading and you will find out. You see, I&#8217;m about to give [...]]]></description>
			<content:encoded><![CDATA[<div style="border-collapse: collapse; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; vertical-align: top; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; background-position: initial initial; padding: 0px; margin: 0px; border: 0px initial initial;">
<div>
<p><span><strong>&#8220;At Last! How To Take The Digital Photos You&#8217;ve Always Wanted, And Finally Have Them Turn Out Like A Professional Photographer Has Taken Them&#8230;&#8230;</strong></span></p>
<p><span>(I never did a course in my life, and I&#8217;m now a professional photographer. How did I do it? Keep reading and you will find out. You see, I&#8217;m about to give you everything I know I&#8217;ll show you.)</span></p>
<div>
<div><span>Let me smash this myth to smithereens; you do not need loads of megapixels in your digital camera to take beautifully clear photos with your digital camera. And let me tell you one very important thing too; you can discover how to transform your photos from where they are now, to clear, sharp and outstanding photos, right from the comfort of your own home. In fact you can even do it from the chair you are sitting in right now&#8230;.</span></div>
</div>
<p><span>Breathtaking images using only one light, or low light, or crappy light will become so easy to you. And read about the amazing ways to bring out the vibrant and exciting colour using nothing but cellophane and a UV lens. We will also teach you how to get a handle on Photoshop and Lightroom and other post-editing programs in plain language.</span></p>
<div>
<div>I<span>I can tell you right now, professional photographers definitely do NOT want you to know. Don&#8217;t believe me? Just ask one!</span></div>
<div>
<div><span>How To Photograph Weddings</span></div>
<div>
<div><span>How To Shoot The Moon</span></div>
<div>
<div><span>Capturing Moving Water In Photographs to Dynamic Range</span></div>
<div>
<div><span>Mastering Shutter Speed In Low Light Situations</span></div>
<div>
<div><span>and over 20 pages of topics just like this!</span></div>
<div>
<div><span>This month&#8217;s issue free</span></div>
<div><a href="http://L58K2YMT.DIGIPIX.hop.clickbank.net?tid=VCL" target="#"><img src="http://allaboutdance.riteprice.net/wp-content/uploads/2010/02/blue_moreinfo2.gif" alt="" /></a><a href="app:/module/monetization/img/buttons/blue_moreinfo2.gif"></a></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
]]></content:encoded>
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		<slash:comments>180</slash:comments>
		</item>
		<item>
		<title>Audio &#8211; What Did They Say?</title>
		<link>http://videocameralight.riteprice.net/audio-what-did-they-say/</link>
		<comments>http://videocameralight.riteprice.net/audio-what-did-they-say/#comments</comments>
		<pubDate>Sat, 20 Feb 2010 06:19:34 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[video camera lights]]></category>
		<category><![CDATA[audio quality]]></category>
		<category><![CDATA[brains]]></category>
		<category><![CDATA[ears]]></category>
		<category><![CDATA[linen]]></category>
		<category><![CDATA[one thing]]></category>
		<category><![CDATA[person moves]]></category>
		<category><![CDATA[scratchy sound]]></category>
		<category><![CDATA[sound waves]]></category>
		<category><![CDATA[two rows]]></category>
		<category><![CDATA[video camera]]></category>
		<category><![CDATA[video equipment]]></category>
		<category><![CDATA[voices]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/?p=236</guid>
		<description><![CDATA[Audio is very important when making a good video and yet it is one of those things that are largely ignored. There is nothing more frustrating than watching a video and not understanding a word that is being said. That scratchy sound or where the voices sound garbled is so annoying it can really ruin [...]]]></description>
			<content:encoded><![CDATA[<p>Audio is very important when making a good video and yet it is one of those things that are largely ignored. There is nothing more frustrating than watching a video and not understanding a word that is being said. That scratchy sound or where the voices sound garbled is so annoying it can really ruin a video.</p>
<p>How To Make Sure You Get The Best Audio Quality On Your Video</p>
<p>Once you read this you are going to have an ah ha moment! It is so simple to insure that your audio quality is up to par. Positioning is the number one thing that is going to effect the audio quality on your video. Where you are positioned holding the video equipment and who or what is positioned in front of you.</p>
<p>This is how it works. For sound to reach our ears it has to travel and bounce off of people and things. Sometimes even when we are within hearing distance of someone or something it is difficult to hear the sound because there is other sound or there are too many people or things in between us and the sound. Some of the sound waves wind up getting absorbed by other people or items. Our brains however kick in and if we focus enough we can still pick up the sound. Unfortunately for us, video equipment does not have the ability to filter out other noise nor can it focus harder to hear what the goal is to hear. So where you position yourself while holding the video equipment is really going to effect the audio quality of your movie.</p>
<p>For instance you are filming a wedding and you are one or two rows from the couple, and you have a clear shot between them and the video camera the chances are you are going to be able to pick up the audio of this event well. Now lets say you are one or two rows from the couple but there is a person in front of you wearing linen that makes a rustling noise every time that person moves and it seems like they shift around quite  a bit, you audio is going to be affected by the rustling noise. The sound that is closest to the video camera is going to be heard the loudest during the video playback.</p>
<p>Speaking of which, your voice, breathing, coughing, whispering etc., is also going to be picked up loudly. So a good rule of thumb is to be as quite as you can.</p>
<p>Getting the best audio quality that you can is really going to improve your video and let</p>
]]></content:encoded>
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		<slash:comments>34</slash:comments>
		</item>
		<item>
		<title>Lighting and Your Video Recording</title>
		<link>http://videocameralight.riteprice.net/lighting-and-your-video-recording/</link>
		<comments>http://videocameralight.riteprice.net/lighting-and-your-video-recording/#comments</comments>
		<pubDate>Sat, 20 Feb 2010 05:53:53 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[video camera lights]]></category>
		<category><![CDATA[direct lighting]]></category>
		<category><![CDATA[images]]></category>
		<category><![CDATA[light bulbs]]></category>
		<category><![CDATA[lighting source]]></category>
		<category><![CDATA[lighting sources]]></category>
		<category><![CDATA[lights camera action]]></category>
		<category><![CDATA[objective]]></category>
		<category><![CDATA[proper lighting]]></category>
		<category><![CDATA[punch]]></category>
		<category><![CDATA[scarf]]></category>
		<category><![CDATA[video camera]]></category>
		<category><![CDATA[video cameras]]></category>
		<category><![CDATA[video equipment]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/?p=234</guid>
		<description><![CDATA[The old saying “lights, camera, action” was instituted for a reason. You have to have proper lighting to make a great video movie. Regardless of what your objective is you are going to need the right lighting to get a great movie.
Most video cameras that are on the market have features that are used to [...]]]></description>
			<content:encoded><![CDATA[<p>The old saying “lights, camera, action” was instituted for a reason. You have to have proper lighting to make a great video movie. Regardless of what your objective is you are going to need the right lighting to get a great movie.</p>
<p>Most video cameras that are on the market have features that are used to set the video camera up for capturing the best video in different lighting configurations this is simple enough to use; it is usually a button somewhere on the video camera. Even when using this feature you still are going to have to make sure you are using the right setting for the right type of light. It really does make a difference!</p>
<p>Check Out the Lighting</p>
<p>Before you start filming check out the lighting that you are going to be filming in. Do a test run to see how the movie is going to be displayed with this type of lighting, try a couple of different settings to get the image exactly as you want it.</p>
<p>You can also try for interior shooting turning on and off various lights in the room that the filming will take place to get a better feel for things. Maybe turning off the overhead lights and turning on a lamp or two will help in getting the shot that you want.  Different type of lighting can really affect the images that you capture on your video equipment.</p>
<p>Individual Lighting Sources</p>
<p>You can also try using a lighting source like a lamp situated right behind your shoulder. You should never use direct lighting head on but you can try some diffused lighting by hanging a scarf over the lamp (be careful though light bulbs get hot do not leave the lamp unattended with the scarf across the shade). Using diffused lighting is a great way to add some punch to your movie.</p>
<p>Lighting really does make a huge difference in not only conveying the message of the movie but also in setting the mood of the movie. Get creative with your lighting sources and you will be richly rewarded with exceptional movies that are unique.</p>
<p>Making video movies should be fun and should convey all types of messages; they can become a chronological memory of your family long into the future to be enjoyed for generations to come.  Making sure that they are near perfect can be enhanced by the lighting options you choose. Have fun and experiment before you know it you will be an expert at making grade A movies! Lights, Camera…….Action!</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Switronix Torch LED TL-50 Reviewed</title>
		<link>http://videocameralight.riteprice.net/switronix-torch-led-tl-50-reviewed/</link>
		<comments>http://videocameralight.riteprice.net/switronix-torch-led-tl-50-reviewed/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 07:50:16 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[switronix torch led]]></category>
		<category><![CDATA[Active Interface Shoe]]></category>
		<category><![CDATA[camera light for video and photos]]></category>
		<category><![CDATA[compatible Sony camcorders]]></category>
		<category><![CDATA[intensity]]></category>
		<category><![CDATA[lamp power consumption]]></category>
		<category><![CDATA[on camera lighting]]></category>
		<category><![CDATA[Sony HVL-HFL1]]></category>
		<category><![CDATA[Switronix]]></category>
		<category><![CDATA[video light turns on automatically]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/switronix-torch-led-tl-50-reviewed/</guid>
		<description><![CDATA[Switronix Torch LED TL-50 Reviewed
Light Up
Video production is growing into a more obtainable pastime by the day, with easily-accessible how-tos online and affordable consumer-grade cameras flooding the market. Taking the next step with proper lighting, however, can be difficult, both due to cost and availability. Switronix has taken notice, creating its TL-50 Torch LED,a highly [...]]]></description>
			<content:encoded><![CDATA[<h1>Switronix Torch LED TL-50 Reviewed</h1>
<div class="breakhead first_breakhead">Light Up</div>
<p>Video production is growing into a more obtainable pastime by the day, with easily-accessible how-tos online and affordable consumer-grade cameras flooding the market. Taking the next step with proper lighting, however, can be difficult, both due to cost and availability. Switronix has taken notice, creating its TL-50 Torch LED,a highly versatile on-camera light with a sweet price point.</p>
<div class="breakhead">The Package</div>
<p>Aside from the light itself, the TL-50 comes packed with 3 plastic gels (orange, clear, and frosted) and a wall charger. The gels are durable and easy enough to use, simply snap one over the LEDs. Thesegels can act as light diffusers or change the light temperature of ashot.</p>
<p>The TL-50 is encased in a strong aluminum alloy casing which,despite the unit&#8217;s light weight, gives it a good, durable feel. The Back of the unit is home to a simple on/off knob which doubles as alight intensity controller. You can adjust the power level anywhere from 0 to 10, and it&#8217;s a nice way to cut back on battery usage when you don&#8217;t need full juice. Also on the back of the unit is a three-stage battery level indicator and a plug-in jack for the included charger.</p>
<div class="breakhead">Ease of Use</div>
<div class="captioned"><a href="http://www.videomaker.com/content/images/article/14457/a.jpg"><img src="http://www.videomaker.com/thumbnails/125/0/content/images/article/14457/a.jpg" alt="" /></a></div>
<p>Being an LED light, the TL-50 puts out very little heat. This means it stays pretty much danger-free as far as touch goes, and you can handle it without worry even after hours of usage. Combine this with the unit&#8217;s light weight and small size (it can rest comfortably in the palm of your hand), and you&#8217;ll find that you will barely notice it when traveling to shoots. There are two 1/4-20 threaded holes on the Torch LED, one on top and one on bottom. Using a simple shoe mount, you can connect it to plenty of different mounting devices to suit your needs.</p>
<p>The TL-50 projects a 5600 Kelvin color temperature. The temperature of your light can affect the colors of the video that you shoot. The5600K color temperature is the same as sunlight, making this a versatile light for either matching outdoor light or to use as a fill light when actually shooting outdoors. You will probably use the 3200 Kgel indoors (under tungsten lighting) quite often to soften your shots,There&#8217;s also a 3600K gel included as well. It&#8217;s good to have both of the gels on hand, and it takes less than a second to put them in place.</p>
<div class="breakhead">LED Power</div>
<div class="captioned"><a href="http://www.videomaker.com/content/images/article/14457/b.jpg"><img src="http://www.videomaker.com/thumbnails/125/0/content/images/article/14457/b.jpg" alt="" /></a></div>
<p>One impressive feature of this LED is the length of its battery life. The TL-50 is powered by an internal lithium-ion battery that will, at full power, last at least two and a half hours on a single charge. In our tests it actually lasted nearly forty-five minutes longer, only beginning to dim around the three-hour mark. This is especially useful if you do event shooting, where you&#8217;ll need a constant, uninterrupted flow of light for long periods at a time.</p>
<p>To test the TL-50 we set up the light at various distances in adarkened room. We found it to provide a nice, even fill from as far as15 to 20 feet away. There was a little bit of glare, but using the gelsto diffuse the light solved that.</p>
<p>Switronix has done a good job in producing a quality on-camera light that can suit any occasion. It&#8217;s well-made enough for professionals to take notice, while still remaining very compact and safe for amateurs as well. The best part is the price point: the TL-50 goes for around$300 at the moment. Video producers know that half the battle to getting that great shot is getting all the gear you need. There&#8217;s more to shooting great video than just a good camera. Lights, tripods, mics and all the other gear can get costly and downright unobtainable. But If you&#8217;re a video producer on a budget, then this little on-camera light just might be one of your best bets to fill the void.</p>
<div class="breakhead">TECH SPECS</div>
<p>Dimensions: 2.5&#8243; H x 2.5&#8243; W x 3.5&#8243; D<br />
Weight: 0.57 lbs.<br />
Color Temperature: 5600 K<br />
Rated Power: 30 W<br />
Dimmer: Yes<br />
Power Consumption: 3.7 W</p>
<div class="breakhead">Strengths</div>
<ul>
<li>Compact and versatile</li>
<li>Long battery life</li>
<li>Reasonable price point</li>
</ul>
<div class="breakhead">Weaknesses</div>
<ul>
<li>None significant</li>
</ul>
<div class="breakhead">Summary</div>
<p>The TL-50 LED video light is a great on-camera light that can adapt to any situation. Its strong build and low price make it accessible to a variety of video producers.</p>
<p><em>Arthur Lance is a film student and video editor/producer.</em></p>
<p><strong>Switronix, Inc.<br />
265 Sunrise Hwy., Ste. 1, PMB 346<br />
Rockville Centre, NY 11570<br />
<a class=" external" href="http://www.switronix.com" target="_new">www.switronix.com</a><br />
$359</strong></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Varizoom VZ S2010</title>
		<link>http://videocameralight.riteprice.net/varizoom-vz-s2010/</link>
		<comments>http://videocameralight.riteprice.net/varizoom-vz-s2010/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 07:34:38 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[varizoom]]></category>
		<category><![CDATA[center]]></category>
		<category><![CDATA[course]]></category>
		<category><![CDATA[dial]]></category>
		<category><![CDATA[intensity]]></category>
		<category><![CDATA[meter]]></category>
		<category><![CDATA[spot]]></category>
		<category><![CDATA[temperature]]></category>
		<category><![CDATA[torque]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/varizoom-vz-s2010/</guid>
		<description><![CDATA[

Little Big Light
Two important features of any on-camera light are size and weight. The VZ S2010 comes in at roughly 4&#215;3x2.5 inches and tips the scales at less than 11 ounces for the light alone. The rest of the kit includes a separate Mini DV power supply/mount, specifically designed to accept JVC, Canon or Sony [...]]]></description>
			<content:encoded><![CDATA[<p><img style="width: 259px; height: 129.5px;" src="http://videocameralight.riteprice.net/wp-content/uploads/Varizoom-S20101.jpg" alt="" /></p>
<div>
<p>Little Big Light</p>
<p>Two important features of any on-camera light are size and weight. The VZ S2010 comes in at roughly 4&#215;3x2.5 inches and tips the scales at less than 11 ounces for the light alone. The rest of the kit includes a separate Mini DV power supply/mount, specifically designed to accept JVC, Canon or Sony batteries, that mounts on the camcorder&#8217;s top handle. Add a 1500mAh battery, and the whole configuration weighs just more than a pound; that&#8217;s certainly enough to notice but not at all unwieldy. In fact, we particularly liked the separate battery mounting on the handle. By moving rearward, it acts like a counter balance to the light.</p>
<p>The construction is very solid. The main body of the light is thick-walled metal, with plenty of venting for heat. The power switch is mounted horizontally at the rear of the unit, giving you easy access, while also reducing the chances of accidentally turning on or off. The dial that adjusts the light output has enough drag to resist drifting and has a convenient center position detent that makes setting 50% output levels a snap.</p>
<p>The light tilts very smoothly on a non-adjustable pivot point. This allows you to point the light downward to a limit of about 30 degrees and upward to a limit approaching 25 degrees. We found both adjustment extremes adequate for all of our close-up tests. The upward tilt provides a nice feathering effect on nearby subjects. The lack of a way to tighten or loosen this pivot point was not a concern for us with a new unit; however, it could become an issue over the years.</p>
<p>The shoe mount design is one of the sturdiest we&#8217;ve seen. A nice large grooved dial gives you ample torque area to tighten the VZ S2010 to the camera shoe mount. We used a Canon GL2 camcorder for our tests and found that it made a wobble-free connection with moderate tightening. When we checked the fit by gently twisting the top of the VZ S2010, we found a small amount of left-to-right play where the camcorder&#8217;s mount meets the bottom of the VZ S2010, even when securely tightened. Normal camera jostling would not be a problem, but a bump might turn the light a couples of degrees one way or the other. Whether this is a factor depends on your situation.</p>
<p>We tested several performance variables that included light color and intensity, light quality, and power draw and heat generation.</p>
<p>Color and Intensity</p>
<p>We measured light color temperature and light intensity output by placing a color and light meter parallel to and one meter from the VZ S2010, the same distance noted in the spec sheet. However, rather than use lux, we opted for more easily related f-stops to judge relative light intensity. In a darkened neutral-colored room, we made the following measurements:</p>
<div>
<ul>
<li>Full power, no filters =  5800k at f16.3</li>
</ul>
<ul>
<li>Half power, no filters = 5700k at f11.3</li>
</ul>
<ul>
<li>Minimum power, no filters = 5500 at f2.84</li>
</ul>
<ul>
<li>With diffusion filter =  5700k at f8.1</li>
</ul>
<ul>
<li>With 3200k filter = 3400 at f11.0</li>
</ul>
<ul>
<li>With 3200k and diffusion filter = 3400 at f4.09</li>
</ul>
</div>
<p>Light Quality</p>
<p>Despite its squarish head design, the VZ S2010 throws a nice, nearly round, beam of light about one meter across at a distance of one meter. This is roughly a 40-degree spread (20 degrees on either side of center). While there is a very subtle hot spot at the center, the rate of light fall-off from the center of the beam is very uniform.</p>
<div>
<ul>
<li>Center = f16.3</li>
</ul>
<ul>
<li>5 degrees off center = f11.7</li>
</ul>
<ul>
<li>10 degrees off center = f8.06</li>
</ul>
<ul>
<li>15 degrees off center = f5.66</li>
</ul>
</div>
<p>The two filters that come with the VZ S2010 are easy to use. With a flip of a raised tang on each filter, you can quickly position the diffusion, the 3200k or both in front of the four LEDs. The diffusion panel does a very good job of eliminating the hot spot and enlarging the area of even illumination. The two barn doors on the left and right are helpful in containing errant photons at the far edges, but are not as effective in shaping the light, with a defined edge closer to the middle. This is mostly due to their small size and proximity to what are essentially four light sources.</p>
<p>Power and Heat</p>
<p>Low power draw is another big feature of LED lights. The four-lamp array in the VZ S2010 draws only 12 watts of power. So, how long will a standard Mini DV battery power this light? It&#8217;s a good question but a difficult one to answer conclusively, as all batteries, including the popular Lithium-Ion type many Mini DV camcorders use, lose their capacities due to all sorts of factors, even just sitting around. In theory, a 7.2-volt 1500mAh battery should provide .9 hours of juice to a light drawing 12 watts of power. Of course, real-world results will vary, so we performed a simple test. With a fully-charged and relatively new 7.2-volt, 1500mAh Canon battery, we turned on the light at full power and took an incident light reading with a Minolta IV light meter at a distance of one meter. Our beginning readings gave us f-stop value of 16.3. We followed with readings at 10-minute intervals and found the following:</p>
<div>
<ul>
<li>Start = f16.3</li>
</ul>
<ul>
<li>10 min. = f16.3</li>
</ul>
<ul>
<li>20 min. = f16.3</li>
</ul>
<ul>
<li>30 min. = f16.2</li>
</ul>
<ul>
<li>39 min. = shut down</li>
</ul>
</div>
<p>The light maintained almost perfectly consistent light output until the unit shut off. However, whether intended or not, it appears you get a two-minute warning. At the 37-minute mark, the VZ S2010 emitted a high-frequency noise that was barely perceptible. This is most likely generated by the light&#8217;s internal circuitry trying to cope with the last drips of varying power coming from a dying battery, but it&#8217;s nice warning.</p>
<p>Heat buildup with standard halogen lights can be source of both major power consumption and injury. After operating for 30 minutes at full power, the exterior of the VZ S2010 stabilized at a temperature of 122 degrees at the top of the metal housing. This is certainly very warm to the touch, but you won&#8217;t be burned by any part of the unit, not a benefit most standard lighting fixtures can claim.</p>
<p>The VZ S2010 is a well-built on-camera light with good performance and very useful, basic options. One additional benefit not specified in the Varizoom literature is the longevity of most LED lamps. We won&#8217;t speculate, but other manufacturers claim that LED life spans stretch into the hundreds of thousands of hours. The price might, at first, seem a little high, but when compared to similar offerings, the value becomes apparent. Depending on your specific needs, if you need an on-camera light, the VZ S2010 may be a great choice.</p>
<p>TECH SPECS</p>
<p>Input: DC 6v-9v</p>
<p>Consumption: 12 watts</p>
<p>Color temperature: 5600k</p>
<p>Illumination: 550 lux at 1 meter</p>
<p>Dimensions: 3.9&#8243; x 2.9&#8243; x 2.4&#8243;</p>
<p>Weight: 16.7 ounces</p>
<p>STRENGTHS</p>
<div>
<ul>
<li>Small, bright, useful filters</li>
</ul>
<ul>
<li>low power consumption</li>
</ul>
</div>
<p>WEAKNESSES</p>
<div>
<ul>
<li>Barn doors not as effective with multi-lamp lights</li>
</ul>
</div>
<p>SUMMARY</p>
<p>The VZ S2010 is a powerful, well-built on-camera light that provides even illumination at a reasonable price.</p>
</div>
]]></content:encoded>
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		</item>
		<item>
		<title>Bescor On-Camera Multi-watt</title>
		<link>http://videocameralight.riteprice.net/bescor-on-camera-multi-watt/</link>
		<comments>http://videocameralight.riteprice.net/bescor-on-camera-multi-watt/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 07:29:55 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[video camera lights]]></category>
		<category><![CDATA[battery]]></category>
		<category><![CDATA[DC Bulbs]]></category>
		<category><![CDATA[Description]]></category>
		<category><![CDATA[Doors]]></category>
		<category><![CDATA[foot]]></category>
		<category><![CDATA[img]]></category>
		<category><![CDATA[Multi]]></category>
		<category><![CDATA[Twin]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/bescor-on-camera-multi-watt/</guid>
		<description><![CDATA[

Compact12v DC Video Light with 12v Cigarette Plug
DC Bulbs, Barn Doors &#38;DiffuserMfr. Part: MPL12V
Product Description

Multi-Wattage 20-35-50 Watt Compact 12 Volt Light with Twin Barn Doors
Newly designed miniature twin reflector, 2 lamp system. 
Each wattage selection offers a superior lighting pattern. 
No matter the wattage choice the light will deliver a smooth even toned beam.
Features include [...]]]></description>
			<content:encoded><![CDATA[<p><span class="Apple-style-span" style="font-size: 14px; font-weight: bold;"><img title="Bescor On-Camera Multi-watt" src="http://videocameralight.riteprice.net/wp-content/uploads/Bescor-On-Camera-Multi-watt1.jpg" alt="" width="202" height="125" /></span></p>
<div>
<h1><span style="font-size: medium;"><span style="color: #000000;">Compact12v DC Video Light with 12v Cigarette Plug</span></span></h1>
<h1><span style="font-size: medium;"><span style="color: #000000;">DC Bulbs, Barn Doors &amp;Diffuser</span></span><span style="font-size: medium;">Mfr. Part: MPL12V</span></h1>
<h3><span style="font-size: large;">Product Description</span></h3>
<ul>
<li><span style="font-size: 16px;">Multi-Wattage 20-35-50 Watt Compact 12 Volt Light with Twin Barn Doors</span></li>
<li><span style="font-size: 16px; white-space: pre;">Newly designed miniature twin reflector, 2 lamp system. </span></li>
<li><span style="font-size: 16px; white-space: pre;">Each wattage selection offers a superior lighting pattern. </span></li>
<li><span style="font-size: 16px; white-space: pre;">No matter the wattage choice the light will deliver a smooth even toned beam.</span></li>
<li><span style="font-size: medium;">Features include a diffusion filter, fully pivoting head. </span></li>
<li><span style="font-size: medium;">Each reflector/bulb has a rear mounted on/off switch.</span></li>
<li><span style="font-size: 16px;">Multi-Wattage 20-35-50 Watt Compact 12 Volt Light with Twin Barn Doors</span></li>
<li><span style="font-size: 16px; white-space: pre;">Newly designed miniature twin reflector, 2 lamp system. </span></li>
<li><span style="font-size: 16px; white-space: pre;">Each wattage selection offers a superior lighting pattern. </span></li>
<li><span style="font-size: 16px; white-space: pre;">No matter the wattage choice the light will deliver a smooth even toned beam.</span></li>
</ul>
<p><span style="font-size: 16px;">Features include a diffusion filter, fully pivoting head. </span><br />
<span style="font-size: 16px;">Each reflector/bulb has a rear mounted on/off switch.</span><br />
<span style="font-size: 16px;">2 power inputs to choose from: </span></p>
<p><span style="font-size: medium;">The MPL-12VX includes a male 4 pin XLR.</span></p>
<p>The MPL-12V includes a male fused cigarette plug.</p>
<p>Bescor&#8217;s most popular light with 20, 35 or 55 watts of power.</p>
<p>The MPL-12V, and MPL-12VX come standard with one 20 watt and one 35 watt bulb<br />
.<br />
Light weight &#8211; only weighs 7 ounces. It measures 3&#8243; across by 1.5&#8243; high by 3&#8243; deep.<br />
All MPL-12V series lights come standard with a 6 foot coil cord.<br />
Can be powered with any bescor 12 volt battery pack.</p>
<p><span style="font-size: medium;"> </span></p>
</div>
]]></content:encoded>
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		</item>
		<item>
		<title>cannon speed light flash</title>
		<link>http://videocameralight.riteprice.net/cannon-speed-light-flash/</link>
		<comments>http://videocameralight.riteprice.net/cannon-speed-light-flash/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 07:24:19 +0000</pubDate>
		<dc:creator>Stanley Braverman</dc:creator>
				<category><![CDATA[cannon speedlight flash]]></category>
		<category><![CDATA[canon eos cameras]]></category>
		<category><![CDATA[canon speedlite 430ex flash]]></category>
		<category><![CDATA[compact flash card]]></category>
		<category><![CDATA[digital slr]]></category>
		<category><![CDATA[flash exposure compensation]]></category>
		<category><![CDATA[flash tubes]]></category>
		<category><![CDATA[harsh shadows]]></category>
		<category><![CDATA[inflash]]></category>
		<category><![CDATA[lastresort]]></category>
		<category><![CDATA[meter accessories]]></category>
		<category><![CDATA[mmc memory card]]></category>
		<category><![CDATA[sd mmc memory]]></category>
		<category><![CDATA[sd mmc memory card]]></category>
		<category><![CDATA[series lenses]]></category>

		<guid isPermaLink="false">http://videocameralight.riteprice.net/cannon-speed-light-flash/</guid>
		<description><![CDATA[







Description





full flash control available on camera menu with compatible EOS DigitalSLR cameras
fully automatic evaluative through-the-lens (E-TTL II)operation with compatible Canon EOS
cameras and EF series lenses,flashhead tilts and swivels 180 in either direction








Specifications







Film, Filter, and Lens Accessories
Speed-Specified Film
Flash and Light Meter Accessories
Flash Tubes and Heads,
Hot-Shoe Mount Flash,
TTL Metering Flash,
Compact Flash Card,
SD/MMC Memory Card









An external flash such [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://videocameralight.riteprice.net/wp-content/uploads/Cannon-speedlite-430ex2.jpg"><img class="alignleft size-full wp-image-72" title="Cannon speedlite 430ex" src="http://videocameralight.riteprice.net/wp-content/uploads/Cannon-speedlite-430ex2.jpg" alt="" width="100" height="100" /></a></p>
<div>
<div>
<div>
<div>
<div class="product-container">
<div class="product-top-section">
<div class="product-container-title">
<h1>Description</h1>
</div>
</div>
<div class="product-bottom-section">
<div class="product-description">
<ul>
<li>full flash control available on camera menu with compatible EOS DigitalSLR cameras</li>
<li>fully automatic evaluative through-the-lens (E-TTL II)operation with compatible Canon EOS</li>
<li>cameras and EF series lenses,flashhead tilts and swivels 180 in either direction</li>
</ul>
</div>
</div>
</div>
<div class="product-container-top">
<div>
<div class="product-top-section">
<div class="product-container-title">
<h1>Specifications</h1>
</div>
</div>
<div class="product-bottom-section">
<div class="product-description">
<div class="product-list-first-entry">
<div class="specsListName">
<ul>
<li>Film, Filter, and Lens Accessories</li>
<li>Speed-Specified Film</li>
<li>Flash and Light Meter Accessories</li>
<li>Flash Tubes and Heads,</li>
<li>Hot-Shoe Mount Flash,</li>
<li>TTL Metering Flash,</li>
<li>Compact Flash Card,</li>
<li>SD/MMC Memory Card</li>
</ul>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<p class="Review">An external flash such as the Canon Speedlite 430EX Flash are one of the <strong>most popular accessories</strong> among Digital SLR (and film SLR for that matter) owners.</p>
<p>Why? <strong>Why use an external flash?</strong>The answer may be obvious to owners of camera bodies without a built-inflash, but not so clear to those using bodies with a built-in flash.The built-in flash is great for fill flash to light the shaded areas(such as people&#8217;s eyes) in a pictures.To use fill flash, set your exposure for the ambient light, then dialin -1 to -2 EV FEC (Flash Exposure Compensation).The built-in flash is also useful to add catchlights (sparkles) in asubject&#8217;s eyes.</p>
<p>Because the light source is very small and is located veryclose to the imaging axis, using the built-in flash as a main lightoften results in a harshly-lit picture (often with red-eyed subjects).Items close to the flash are often overexposed, the background oftenbecomes black, harsh shadows typically abound and subjects tend tobecome flat looking.I use direct-flash-as-main-light (typically in &#8220;M&#8221; mode) only as a lastresort, much preferring to use a higher ISO, wider aperture, slowershutter speed, image stabilization, tripod &#8230;But, sometimes there is no choice &#8211; it is simply too dark, the subjectsare in action &#8230; In this case, you simply must use the flash for themain light.But, this does not mean the flash must be fired directly toward thesubject.</p>
<p>Accessory flashes such as the Canon Speedlite 430EX Flash and <a href="http://www.the-digital-picture.com/Reviews/Canon-580EX-E-TTL-2-Speedlite-Flash-Review.aspx">Canon Speedlite 580EX Flash</a>feature <strong>tilt and swivel heads</strong>which allows them to redirect the light toward a larger whitereflective surface such as a ceiling, wall, piece of white foamcore,<a href="http://www.the-digital-picture.com/Reviews/Photoflex-LiteDisc-White-Gold-Review.aspx">commercial reflector</a>&#8230;Thus, the main light becomes the wide reflecting surface being used andthe broad light source creates a much softer, less flat and far morepleasing image.The swivel and tilt features allow the Canon Speedlite 430EX Flash tobe aimed as desired.</p>
<p>In addition, <strong>flash modifiers</strong> such as the<a href="http://www.the-digital-picture.com/Reviews/Sto-Fen-Omnibounce.aspx">Sto-Fen Omnibounce Diffuser</a>and many others can be used with accessory flashes to create a broaderlighting surface for direct flash, bounce flash or a combination ofboth.</p>
<p>The <strong>wireless (or <a href="http://www.the-digital-picture.com/Reviews/Canon-Off-Camera-Shoe-Cord-OC-E3-Review.aspx">corded</a>) remote capability</strong> of Canon&#8217;s Speedlite flashes offer even far greater advantages.An accessory flash can be mounted on a<a href="http://www.the-digital-picture.com/Reviews/Wimberley-Flash-Flipper-Bracket-Review.aspx">bracket</a>to allow specific placement of the flash in relation to the camera.An accessory flash can be mounted in a<a href="http://www.the-digital-picture.com/Reviews/Chimera-Super-Pro-Plus-XXS-Softbox-Review.aspx">softbox</a> or<a href="http://www.the-digital-picture.com/Reviews/Photogenic-Eclipse-Umbrella-Review.aspx">umbrella</a>for superb lighting &#8211; typically better than possible with just fill flash and good ambient lighting.Multiple wireless remote flashes can be setup for a highly portable, complete professional lighting setup.</p>
<p>The Canon Speedlite 430EX Flash and other Canon Speedlite Flashes provide a red patterned <strong>focus assist</strong> beam &#8211; enabling focusing in complete darkness within range (up to 20-30&#8242; depending the flash model, camera body/lens being used and available light).See the red window on the front of the flashes?The built-in flashes can provide focus assist as well, but they use a far more dramatic series of bright white flashes.</p>
<p>An additional significant reason to use an external flash overa built-in flash is the amount of lighting output the external flashcan provide.For example, the<a href="http://www.the-digital-picture.com/Reviews/Canon-EOS-350D-Digital-Rebel-XT-Review.aspx">Canon EOS Rebel XT/350D DSLR</a>&#8217;s built-in <strong>flash effective range</strong> (Guide Number) is 42&#8242; (13m) vs. up to 141&#8242; (43 m)(ISO 100 at 105mm) for the Canon Speedlite 430EX Flash.</p>
<p>Once you know why you need an accessory flash, the decision becomes &#8220;<strong>Which one?</strong>&#8220;The Canon options in my opinion are the 430EX or 580EX.Canon makes a 220ex, but it is rather featureless.</p>
<p class="CenterThis"><img src="http://media.the-digital-picture.com/Images/Other/Canon-Speedlite-430EX-580EX-Flash-Back.jpg" border="0" alt="Canon Speedlite 430EX and 580EX Comparison - Back View" /></p>
<p class="Review">Pictured above from left to right are the<a href="http://www.the-digital-picture.com/Reviews/Canon-580EX-E-TTL-2-Speedlite-Flash-Review.aspx">Canon Speedlite 580EX E-TTL II Flash</a> and the smaller<a href="http://www.the-digital-picture.com/Reviews/Canon-430EX-Speedlite-Flash-Review.aspx">Canon Speedlite 430EX E-TTL II Flash</a>.</p>
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